A plain guide to drum and bass subgenres, from liquid to darkstep
Drum and bass runs at 160 to 180 beats per minute and splits into light, mainstream and heavy branches. Here is what each name means.
By D-N-B Desk
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A term from a 1997 magazine article, a pair of V Recordings and Virus records, and a style built on bass sounds that keep changing shape.

Neurofunk came out of England in the mid to late 1990s as a step away from techstep. The critic Simon Reynolds coined the word in December 1997 in an article in The Wire.
Reynolds picked out cleaner production, intricate basslines and an emphasis on small shifts in timbre. The rhythm moved toward regular two step patterns and away from the dense polyrhythms of earlier jungle. In later neurofunk the bass is the centre of the track: complex sounds that evolve over time, made with wavetable synthesis, frequency modulation, filtering, distortion and resampling.
Wikipedia points to Ed Rush and Optical's single Funktion, released in 1997 on V Recordings, and their album Wormhole, released in 1998 on Virus Recordings.
Producers cited as recent examples are Noisia, Phace and Mefjus, all known for the way they process and resample bass sounds.
Our Fifty Cuts Deep list has a Neuro and Tech band, tracks 41 to 50, with Noisia, Black Sun Empire, Optical and Mefjus.
Drum and bass runs at 160 to 180 beats per minute and splits into light, mainstream and heavy branches. Here is what each name means.
By D-N-B Desk
A 1999 compilation gave the style its name, and by 2005 it was one of the biggest selling corners of drum and bass.
By D-N-B Desk
Around 1995 a group of producers stripped the warmth out of jungle and replaced it with machine drums, distorted bass and a science fiction mood.
By D-N-B Desk