Liquid drum and bass explained: how melody and soul took over the breakbeat
A 1999 compilation gave the style its name, and by 2005 it was one of the biggest selling corners of drum and bass.
By D-N-B Desk
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Drum and bass runs at 160 to 180 beats per minute and splits into light, mainstream and heavy branches. Here is what each name means.

Drum and bass typically sits between 160 and 180 beats per minute, and since 1996 most of it has landed in the 170 to 180 range. It started in the UK in the early 1990s out of jungle, and it became its own thing around 1995 when some jungle producers moved away from the ragga influenced style. The two stay closely related and often overlap.
Liquid drum and bass is built on harmonic and melodic grooves. Intelligent drum and bass is smoother, with ambient, jazz and soul in it. Jazzstep leans hard on jazz scales and instruments and on trip hop, and sambass mixes in samba and bossa nova from Brazil.
Jump up is heavy and energetic with robotic bass sounds, and it dates from the mid 1990s. Drill and bass uses complex chopped rhythms with ambient touches.
Techstep is known for science fiction soundscapes and samples. Neurofunk grew out of techstep and added jazz and funk. Hardstep has gritty basslines with heavy electronic melodies, and darkstep pairs fast drums with a dark mood and an industrial edge.
Our Fifty Cuts Deep list is split by sound: ten jungle tracks, ten rollers, ten liquid, ten jump up and ten neuro and tech, each linked to Apple Music.
A 1999 compilation gave the style its name, and by 2005 it was one of the biggest selling corners of drum and bass.
By D-N-B Desk
A term from a 1997 magazine article, a pair of V Recordings and Virus records, and a style built on bass sounds that keep changing shape.
By D-N-B Desk
Around 1995 a group of producers stripped the warmth out of jungle and replaced it with machine drums, distorted bass and a science fiction mood.
By D-N-B Desk